There's a point at which the act of painting and the inherent action of nature align themselves and that frequently happens in watercolour. I consider it the most natural of all the painting mediums, comprising pigment, a binder which is mainly gum arabic, and water, the drying process leaving the pigment on the surface. Nothing could be simpler, apart from perhaps charcoal or chalk.
The two extremes of stillness and flow and the myriad activity between the two are what make watercolour, for me, the most natural medium with which to depict the extremes of the Northern landscapes. I have painted this subject for forty years and it continues to provide a source of excitement and exploration. I have no wish to simply record what I see. I do not seek sedate topographies often associated with the term ‘watercolour landscapes’. Instead I prefer the uncertain balance between abstraction and reality.